“Do you know how Japan­ese archers pre­pare for competitions?
It was the same for me.” Joan Miró on Blue I,II,III

 

Before he starts
he must pre­pare himself,
med­i­tate, emp­ty his mind,
ensure an equal balance.

Pelvis and shoulders
must be aligned, right hand
grip­ping the bow­string, head
turned towards the target.

He rais­es the bow
above his head,  spreads
his arms, hawk feath­ered shaft
brush­ing against his cheek.

Full draw complete,
the bird’s feath­ers unleash
the pierc­ing music of the meadow.

He and the tar­get are one.

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