There is mine: a round­ed shape

with the usu­al girl parts. Then there is his–angles and curves–

to fit mine, chal­lenge nerves which had numbed.

A body is as much noun as concept,

ref­er­en­tial. To tell any­thing of my own

I reach for his, pull him

to the page, a disguise

because my skin is itchy as wool. Peo­ple know me

with my moth­er or my father, I am both sides of the family,

            their echo. I con­sid­er action

verbs for my limbs but there are too many to choose

so I focus on lim­i­ta­tions. How wrong

            when the knee bends back­wards, or an elbow inverts,

pokes through skin, what to make of it?

That the thresh­old for breaking

is intu­itive for every body. A ballerina

embod­ies an aria, an ostrich feath­er wav­ing in a breeze.

I want to know how she holds

her bal­ance in the fury of spins.

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